Two www.TalesFromWhenIHadAFace.com splash pages between Christopher DiSalvatore and I.
This is as good an opportunity as any to talk about my illustration process for this book.
There are variations that have developed between how I’m collaborating with Peter (Parts 1 & 2), and Christopher (Part 3 + chapter art) and how I will with Alexey, and Olga. (Part 4). But once they send their material to me, I’ll ink it if it needs inking.
Then I set the inks as a multiply layer, and block out solid colors underneath. I’ve got an established palette for each part of the book (the 4 parts are also 4 seasons, 4 color coding has esoteric associations behind it, though I don’t actually expect most people to figure all that out) though I’ve occasionally gone outside that for various reasons – for instance, these two use the “Summer” color scheme, because Lilith is the character attributed to summer.
On top of the solid colors comes layers of “multiply” and “hard light” watercolor, oil and acrylic brushes. Then I generally bring out highlights and shadows alternately in layer after layer of graphite, pencils, and inks. Generally once they reach about this level of completion, they get put in the pile. Right now I’ve got about 50 pages in the “pile”, and 60 or so not there yet…
Of course, I’ll need to work my way through this pile to get them all to actually complete in the post-production stage. (We’re currently in production.)
And that’s it. This is what I’ve been doing since 2015 or so, when Tales went into production. We hope to be in post- by 2020. If you’d like to support our project, please consider my Patreon, or signing up to the Mail list.
Also, I think I’m cutting “just” from the tagline (as you’ll see above…) The tagline will show on the cover but not on the actual pages. That’s why it’s good that this stuff takes so long, because it can take me years to find what actually works.